I
remember in grade school being graded in three categories. There were academics, effort and
conduct. As a student, I realize that
only academics mattered, as effort and conduct were generally for the school’s
internal use. Colleges tended to look mostly
at the academic grade.
I
wonder if movies tend to suffer from the same problem. It doesn’t matter so much how much you tried
to make a good movie. What matters is
the finished product. This is why you
can have lots of money and a great idea and still make a movie that makes no
sense.
Waiting
for the Giants starts in Miami, circa 2007.
A wife answers the door and is questioned by police, who are looking for
her husband, Ray. What did he do that’s
so bad? He’s a mutant. During the verbal exchange, one of the
officers shoots her.
Cut
to some indeterminate time later and some undisclosed location, Ray is at a
diner with a guy named Nate. They’re
travelling around the country. Why? It turns out that Ray is a giant. People don’t like giants. They have special abilities.
Nate,
who happens to be blind, is convinced that Ray has some sort of psychic mental
abilities that he’s using on him. Ray
denies this. I suppose the best argument
that Nate could have used to prove it is that he doesn’t make Nate shut
up. Nate’s special ability seems to be
yapping.
While
driving at night, they come across Annabelle lying in the road. There are no clues what happened to her or
where she came from. They take her in
Ray’s Jeep because that would be better than leaving her. Oh, and there’s some old guy in the bushes
watching them.
We
learn a lot about Nate and Annabelle through flashbacks. Ray was experimented on. I guess Nate’s blindness has something to do
with this, but Ray thinks it might be psychosomatic. Ray rescued him at some point. Annabelle was orphaned at an early age. She was taken in by her grandfather, who
happens to be the old guy that was watching them.
The
entire movie comes across as a half-baked concept. It has the makings of a great pilot for a TV
show, but would need some sort of development.
Like, what exactly is a giant?
Why these three people? All we
get is three people wandering around the country.
One
might assume that Ray is running from the police, but he has almost no contact
with any law enforcement. Aside from the
opening scene, the only exception is when Annabelle helps an injured road. Ray is eager to leave once he hears sirens,
which might very well be from an ambulance.
It’s
also not explained how Nate was being experimented on at all. Does he have powers? Maybe.
The only one that has any sort of story is Annabelle. We find out that the grandfather was abusive
and that she ran away. The grandfather
is also very determined to get her back.
This
isn’t even a student project. That would
be insulting to students, who at least have some motivation to do well. This is like a couple of kids finding a
camcorder and recording some scenes together.
It’s not particularly coherent, nor is it entertaining. There isn’t even anything about why giants
are disliked. Did somebody destroy a
city or something? The closest we get is
Ray saying how groups of people will always hate one another.
It
seems like a rather long-winded way of saying that humanity will always have different
factions and it will be the fate of those factions to go against one another
rather than work together. It could have
been handled by a much shorter movie.
Film Trailer - WAITING FOR THE GIANTS from Phillip M. Lacy on Vimeo.
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